The goal here was to bring the image of a fiery earth from the film’s key art to life, and build upon it with a montage to make a more compelling motion piece. Using a particle generation systems, I animated both the numbers raining from the glowing earth, and those animating as a textural element in the background. I then edited a montage to fit the ominous tone set by the piece of audio selected by the client, and designed an interface that would be clear, but also blend into the void of space where all this action is housed.